Things I built with Codex · September 2, 2026
I turned an evidence dashboard into a TV channel.
Five public FSD (Supervised) reels, one continuous channel, and the fine print kept on screen.
Watch FSD Evidence TV ↗
What if the evidence played like a channel?
Tesla’s public FSD Evidence Dashboard contains five separate videos: training footage, Europe, North America, track testing, and a vehicle safety report. The material was already there. The experiment was in the presentation.
I wanted the evidence to be something you could lean back and watch, not another page asking you to open five tabs and remember where you left off. So I asked Codex to turn the collection into a continuous program.
“TV-like” could not mean “less careful.”
The most important design decision was what not to smooth over. This is FSD (Supervised). The driver remains responsible, must stay attentive, and must be ready to intervene. The channel is a presentation layer for public source material, not an independent safety assessment.
That boundary stays visible in the interface. Every chapter keeps its source context, the supervision language remains on screen, and the full methods and evidence are one click away.
One channel, five chapters, no forced soundtrack.
The finished site automatically moves through all five reels. A chapter rail shows what is playing and what comes next. The ticker carries evidence headlines. Fullscreen, video sound, and contextual captions are available without getting in the way of the program.
I also added an optional soundtrack because apparently I cannot leave a clean interface alone when it could become a tiny television network. It starts only when the viewer turns it on, stays low by default, and ducks when the original video sound is enabled.
The useful part was the translation.
This was not about manufacturing new evidence. It was about changing the shape of the experience while preserving the source. A static dashboard became a continuous program; separate clips became chapters; technical context became something the interface could carry without stopping the show.
That is the kind of work I keep returning to with Codex: take something useful, make the next step obvious, and keep enough receipts around that the polish cannot outrun the truth.